Sarah Meyohas (b. 1991, New York) is a conceptual artist and technologist whose practice provides an intelligible visual language to articulate the complex operations that govern our world. Notable projects include Bitchcoin (2015), Infinite Petals (2025), and the Interferences (2021–).
Her filmography includes CLOUD OF PETALS (2017) and MEDUSA (2024). She was also an executive producer for THE BRUTALIST (2024). Her work has been collected and exhibited at major institutions such as the Centre Pompidou in Paris, the ICA in London, and the New Museum in New York. She is represented by Marianne Boesky Gallery as well as the United Talent Agency for her work in film.
Meyohas currently invests through Bluebirds Capital and is a founding advisor to Sita.Bio. She is a co-founder of the event space, 102 Franklin, and co-owner of the bar, Honey’s.
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July 12th - November 30th, 2025
Group Exhibition
Infinite Images: The Art of Algorithims
Toledo Museum of Art, OH
March 8th - May 11th, 2025
Group Exhibition
Desert X
Palm Desert, CA
April 10th - 20th, 2025
Solo Exhibition
Infinite Petals
Fellowship, London, UK
January 11th - February 20th, 2025
Solo Exhibition
Millionfold
Galerie PACT, Paris, FR
“How AI Will Change Art, According to Arthur Jafa, Marilyn Minter, and Other Artists”
Artsy, 2025.
“Sarah Meyohas Isn’t Deterred by ‘Failed Experiments.’ Her New Work May Be Her Most Ambitious”
Artnet, 2025.
“Images Mirrored”
Aesthetica Magazine, 2025.
“Technology”
Artforum, 2024.
TRUTH ARRIVES IN SLANTED BEAMS
Presented at Desert X 2025, Truth Arrives in Slanted Beams is a site-specific architectural installation, featuring caustic aluminum mirrors precisely calculated according to the solar path in the desert.
Presented at Desert X 2025, Truth Arrives in Slanted Beams is a site-specific architectural installation, featuring caustic aluminum mirrors precisely calculated according to the solar path in the desert.
Presented at Desert X 2025, Truth Arrives in Slanted Beams is a site-specific architectural installation, featuring caustic aluminum mirrors precisely calculated according to the solar path in the desert.
Presented at Desert X 2025, Truth Arrives in Slanted Beams is a site-specific architectural installation, featuring caustic aluminum mirrors precisely calculated according to the solar path in the desert.
Presented at Desert X 2025, Truth Arrives in Slanted Beams is a site-specific architectural installation, featuring caustic aluminum mirrors precisely calculated according to the solar path in the desert.
Presented at Desert X 2025, Truth Arrives in Slanted Beams is a site-specific architectural installation, featuring caustic aluminum mirrors precisely calculated according to the solar path in the desert.
INFINITE PETALS
Infinite Petals (2023-25) builds upon Meyohas’ past work to train an AI model—referencing a dataset of 100,000 physical rose petals—in order to generate endless, new, and unique petals.
Click here to view the work, and here to learn more.
Infinite Petals (2023-25) builds upon Meyohas’ past work to train an AI model—referencing a dataset of 100,000 physical rose petals—in order to generate endless, new, and unique petals.
Click here to view the work, and here to learn more.
Infinite Petals (2023-25) builds upon Meyohas’ past work to train an AI model—referencing a dataset of 100,000 physical rose petals—in order to generate endless, new, and unique petals.
Click here to view the work, and here to learn more.
Infinite Petals (2023-25) builds upon Meyohas’ past work to train an AI model—referencing a dataset of 100,000 physical rose petals—in order to generate endless, new, and unique petals.
Click here to view the work, and here to learn more.
Infinite Petals (2023-25) builds upon Meyohas’ past work to train an AI model—referencing a dataset of 100,000 physical rose petals—in order to generate endless, new, and unique petals.
Click here to view the work, and here to learn more.
MILLIONFOLD
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
Over the past two years, Meyohas has been developing a pastel plotter that allows for the creation of pastel drawings with up to 1 million vectors and an equal distribution of up to 130 colors.
Click here to learn more.
INTERFERENCES
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
In 2021, Meyohas initiated a series of traditional, glass plate holograms investigating the phenomenology of sensory perception, including the largest holographic work to date.
MEDUSA
MEDUSA (2024) is an erotic reverie that follows Mia,
a Swedish perfumer stung by a jellyfish on the Côte d’Azur.
MEDUSA (2024) is an erotic reverie that follows Mia,
a Swedish perfumer stung by a jellyfish on the Côte d’Azur.
MEDUSA (2024) is an erotic reverie that follows Mia,
a Swedish perfumer stung by a jellyfish on the Côte d’Azur.
MEDUSA (2024) is an erotic reverie that follows Mia,
a Swedish perfumer stung by a jellyfish on the Côte d’Azur.
MEDUSA (2024) is an erotic reverie that follows Mia,
a Swedish perfumer stung by a jellyfish on the Côte d’Azur.
MEDUSA (2024) is an erotic reverie that follows Mia,
a Swedish perfumer stung by a jellyfish on the Côte d’Azur.
DAWN CHORUS
Dawn Chorus is an immersive multi-sensory augmented-reality experience in which birds in playful flight land on a piano and initiate a chain reaction of audible phenomena.
Click here to learn more.
Dawn Chorus is an immersive multi-sensory augmented-reality experience in which birds in playful flight land on a piano and initiate a chain reaction of audible phenomena.
Click here to learn more.
Dawn Chorus is an immersive multi-sensory augmented-reality experience in which birds in playful flight land on a piano and initiate a chain reaction of audible phenomena.
Click here to learn more.
CLOUD OF PETALS
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
For Cloud of Petals (2017), Sarah Meyohas gathered sixteen male workers to photograph 100,000 rose petals, one by one, at the site of the former Bell Labs in New Jersey, compiling a massive dataset used to train a GAN and produce unique, virtual petals.
STOCK PERFORMANCE
In Stock Performance (2016), Meyohas day-traded equities live from a gallery setting, converting each price move into a corresponding mark on canvas and emphasizing the individual's gesture on a market, akin to more recent meme-stock trends.
Click here to view documentation of the performance, and here to view the CNBC coverage of the exhibition.
In Stock Performance (2016), Meyohas day-traded equities live from a gallery setting, converting each price move into a corresponding mark on canvas and emphasizing the individual's gesture on a market, akin to more recent meme-stock trends.
Click here to view documentation of the performance, and here to view the CNBC coverage of the exhibition.
In Stock Performance (2016), Meyohas day-traded equities live from a gallery setting, converting each price move into a corresponding mark on canvas and emphasizing the individual's gesture on a market, akin to more recent meme-stock trends.
Click here to view documentation of the performance, and here to view the CNBC coverage of the exhibition.
In Stock Performance (2016), Meyohas day-traded equities live from a gallery setting, converting each price move into a corresponding mark on canvas and emphasizing the individual's gesture on a market, akin to more recent meme-stock trends.
Click here to view documentation of the performance, and here to view the CNBC coverage of the exhibition.
BITCHCOIN
In February 2015, Sarah Meyohas launched a social token, Bitchcoin, a cryptocurrency which could be exchanged in perpetuity for her work. Today, the work is backed by pressed petals from her Cloud of Petals project.
In February 2015, Sarah Meyohas launched a social token, Bitchcoin, a cryptocurrency which could be exchanged in perpetuity for her work. Today, the work is backed by pressed petals from her Cloud of Petals project.
In February 2015, Sarah Meyohas launched a social token, Bitchcoin, a cryptocurrency which could be exchanged in perpetuity for her work. Today, the work is backed by pressed petals from her Cloud of Petals project.
Meyhoas backed each original Bitchcoin with a 25 sq. inch portion of her Speculations photographs.
The photographic prints were stored in a vault until redeemed for 25 Bitchcoins.
In 2021, Bitchcoin underwent a transformation, linking it to Cloud of Petals. Each of the 3,291 preserved petals was minted as an ERC1155 token on the Ethereum blockchain
In 2021, Bitchcoin underwent a transformation, linking it to Cloud of Petals. Each of the 3,291 preserved petals was minted as an ERC1155 token on the Ethereum blockchain